Iron Obelisk
Caulen Heil
The Pennsylvania State University Department of Architecture
ARCH 132 Design Studio II
Professor Cathy Braasch
Spring 2017
Overview
The studio assigned a precedent analysis of a skyscraper in Manhattan. My precedent was the One World Trade Center. We were then tasked with translating our precedent into a Wearable Architecture. Given the defensive and political nature of my precedent I created a deployable riot shield from scrap metal.
Background
This project is my entry into metal working. I’m not sure how or why but I ended up in the shop learning how to MIG weld of all things. The brutal and unrelenting nature of this welding was fitting for the subject matter. What I did not expect was how this project played out and what it became. This was a point in my life where everything was changing. I was in my second semester of university. I had a violent maelstrom of conflicting ideas swirling around inside of my head. I was changing. I met someone very close to me. I was learning to express my ever eluding thoughts via objects. I was breaking under the pressure of university. I wasn’t the only one. This someone had to seek hospitalization for the damage. I met them at the hospital. They were going to a facility. I helped them into the van and they were gone. I started crying. I couldn’t take the bus back like this. I walked back in the rain and dark along the highway to the studio. I sang as I cried. I shut myself off and welded this project. I don’t remember most of it.
Study Model
Found Hardware
MIG Welded
January 2017
“They Protect You”
Propaganda displaying use of Shields in tandem
February 2017
Evolution
After the semester closed I was left with this incredibly heavy assembly. So much energy and emotion was put into this object. I hauled it halfway across the state to my family home and installed it as a sculpture. I later laid out a stone circle which denotes an undisturbed sacred space.
Experience
One of my fondest memories involves brewing tea for my friends. I didn’t realize then that this would be one of the last of such times. On a warm July evening we gathered just before sunset. I had set up a ritual space before the shrine space. I had a selection of teas and wares for everyone to try. We drank tea and shared stories until the pillar candles burned out. It was completely dark. “That tea was amazing. I don’t even need my glasses to see right now.” One of my friends texted me after getting home. Strong tea. This experience is just as much a part of the shrine as the shrine a part of the experience. This goes for all aspects of the ceremony.
This object has a spirit of its own. I took my time with every step of the process. Creating this piece was as much a ritual as the tea ceremonies it was to serve. Only with the greatest care and spirit can such objects be crafted. I didn’t treat this as something that just needed to get done because my to do list was getting longer. This slow process allowed me, in the end, to facilitate one of the best nights of my life. I recommend you do the same, no matter what kind of work you are doing.